ACADEMIC
Below are my critical writings on art within latest techno-capitalism, addressing forms of marginalisation, the reconceptualisation of madness and mental illness, standardisation, resistance, dogma, the art market, creative potential and algorithmic control:
In Search of Algorithmic Desire, A Curatorial Schizo-Analysis of AI Art
In Soft Code: AI and Algorithmic Aesthetics, 2026 Routledge
Toward a Minor Ethico-Aesthetics of Machine Relationality
In ∀ISION_E Extended Intelligence, Politecnico di Torino, 2026 Conference Book
Immersive Media Port An Ethico-Aesthetic Media Lab
ISEA 2026 International Symposium on Electronic / Emerging Art Dubai
From Writing to Image and Back: Reflections on AI Art
In Ethics and Aesthetics of Artificial Images, 2026 Conference Book Venice
Journal of Neurological Sciences and Research, 5(1), 2025
Rethinking Outsider Art in the digital age: an overview of Cara Macwilliam’s artistic practice
EXPERIMENTAL
Non-consensual Affirmation of Difference
Text as Emergence
REVIEWS
Tracing Margins
The Fourth Triennial – Eccentrics hosted by the Museum of Naïve and Marginal Art (MNMA) in Jagodina/Belgrade, Serbia
On Art Brut / Sur l’Art Brut / Ham Sanat Ustune
In “A Cowboy in the City / Un Cowboy Dans La Ville / Sehirde Bir Kovboy”capitArt, 2021
Art of Silicone Revolution
In “Art and Revolution/Sanat ve Devrim” Kaos Cocuk Parki, 2023
Poem, The Paradox of The Poet
In “Art and Mafia/Sanat ve Mafya” Kaos Cocuk Parki, 2023
On Art, Madness and the Societies of Control
In “Art and Madness / Sanat ve Delilik“, Kaos Cocuk Parki, 2022
Matematiksel Evrende Ruhaniyet / Spirituality in the Mathematical Universe – Klaros, 2023
Vardan Yok Yoktan Var Saymak / Something out of Nothing, Nothing out of Something – Klaros, 2023
İçimdeki Yıldızlı Gök ve Üstümdeki Ahlak Yasası /The Starry Sky Within Me, The Moral Law Above Me – Klaros, 2020
Book
Ugurun Mantigi is a novel/poetry book by “me”, written in Turkish and published under the Indian pen name, Esha Mathur. Drawing inspiration from autobiographical elements, the narrative is intricately fused with a poetic sensibility that surfaces intermittently among decidedly ordinary perceptions. It is a modern nomadic tale traversing cultures, places, and people, presenting a profound and condensed exploration of transient life across diverse landscapes. In this book, I tried to think of poetry not just as a literary style but as a means to perceive the world. The text straddles the line between autobiography and fiction, blurring the boundaries between reality and fiction to cloak the real in a poetic veil and suffuse the everyday with a poetic perspective. Provocative, oscillating between humorous and dark tones, and with an underground flair, this book represents an attempt to reconnect with a long-abandoned native language and memories.